home *** CD-ROM | disk | FTP | other *** search
- <text id=93TT1500>
- <title>
- Apr. 19, 1993: Show Business:Le Cirque Fantastique
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1993
- Apr. 19, 1993 Los Angeles
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- REVIEWS, Page 65
- SHOW BUSINESS
- Le Cirque Fantastique
- </hdr>
- <body>
- <p>By RICHARD CORLISS
- </p>
- <qt>
- <l>SHOW: Saltimbanco</l>
- <l>TROUPE: Cirque Du Soleil</l>
- <l>WHERE: A Yellow-and-Blue Tent in the Battery, New York City</l>
- </qt>
- <p> THE BOTTOM LINE: Four words--greatest show on earth.
- </p>
- <p> Flash photography is forbidden at cirque du Soleil, the
- master of ceremonies announces at the outset of its all new show
- Saltimbanco, "because of the extreme danger it represents to the
- people of our world." Our world? To anyone unfamiliar with the
- previous spectacles of this Montreal-based big top--Le Cirque
- Reinvente and Nouvelle Experience--the emcee's remark will
- seem twee and pretentious. But he's not kidding. Their world is
- beautiful, seductive, utterly otherly.
- </p>
- <p> Dream of a garden painted by Rousseau, under the canopy of
- a huge Tiffany lampshade and inhabited by creatures from
- Fellini's or Tim Burton's wittiest musings. In this Day-Glo,
- candy-cane fantasia, the whole food chain is on display. The
- roustabouts wriggle like worms; some of the featured artistes
- are dressed as tigers or lizards. The clowns could be from a
- Greenwich Village Halloween parade: Munchkins and bathing
- beauties, Road Warriors and samurai. This is a circus even
- Madonna could love--commedia dell'arte as restaged by
- surrealists in a birthday-party mood.
- </p>
- <p> And all are invited to participate, at its Manhattan stop
- or later this year in Chicago, Boston, Washington and Atlanta.
- Saltimbanco (an Italian term meaning "street performer") will
- leave no one untouched and few unprodded or untweaked. A
- visitor may discover a sobbing clown in his lap or find herself
- in an impromptu troupe of somersaulters. One gent was lured
- onstage to safari through an invisible jungle, then high-noon
- it in a sham shootout.
- </p>
- <p> This is also a real, one-ring circus, with acrobats, a
- juggler, a high-wire tiptoer. And no animal acts; that would be
- redundant, given all the exhibitions of gazelle grace and
- leonine strength. Le Cirque evokes the three best responses from
- a circus audience: "Gee, that clown's funny!" (when Rene
- Bazinet, a talking mime, gets caught in a bathroom that becomes
- an aquarium); "Hey, the human body can't do that!" (when one man
- climbs a Chinese pole on sheer wrist power or descends using
- only his thighs); and "Ooooh, that's beautiful!" (when four
- aerialists do a bungee-cord ballet). But no artiste is allowed
- to be a specialist. All must do double duty, as Harlequins or
- chorus girls, to fit into the precise, giddy scheme devised by
- director Franco Dragone and his team.
- </p>
- <p> Three of the star acts illustrate the show's underlying
- theme: family. Twin sisters Sarah and Karyne Steben--Sharon
- Stone in duplicate on the high bar--perform their mirror-image
- calisthenics in a space as intimate as the womb. The brothers
- Marco and Paulo Lorador bend their Apollonian physiques to some
- wondrous heavy lifting. And the Tchelnokovs (Nikolai, his wife
- Galina Karableva and their impossibly lithe son Anton, 7)
- describe patterns of living sculpture that are less physical
- than mystical. In the harmonious flow of their fearless feats,
- these performers might be parents and siblings from another,
- ideal world, where beauty is based on majestic trust.
- </p>
- <p> Forget the word circus; it conjures up nothing more
- magical than slapstick and animal odors. The grand, ethereal
- Cirque du Soleil is really primal theater--an age-old blend
- of music and motion. The weirdly soothing, polylingual
- background score, which could be elevator music at a harmonious
- U.N., rolls out a verdant carpet of sound for all the pretty
- beasts to strut on. At every moment, in every corner of the
- Cirque world, stagecraft approaches genial witchcraft. It's an
- out-of-Broadway experience.
- </p>
-
- </body>
- </article>
- </text>
-
-